"The Lazy Cowgirls" quite reflect the band's powerhouse live show, and they were soon dropped from the label. Desjardins got the band a deal with Restless Records, and produced their debut LP in 1984. ), former leader of art-punks The Flesh Eaters. After countless shows playing to "no one, and people from work" (according to Todd), the band caught the ear of Chris Desjardins (aka Chris D. In 1983, they finally settled on fellow Indiana refugee Allen Clark as a drummer, and began hitting the L.A. Weekday (aka Doug Phillips ), and bassist Keith Telligman left their hometown of Vincennes, Indiana in 1981 to move to California, hoping to get a rock band off the ground. First Offense is retro in the good sense. But it's also rockin' and highly infectious - even when you're thinking about how ultra-derivative the music is, you'll find yourself patting your foot and singing along. From covers of the Standells' "Dirty Water" and the Pretty Things' "Midnight to Six Man" to remakes of Arthur Conley's "Love Got Me" and Don Covay's "Three Time Loser," First Offense is about as derivative as it gets. The British band doesn't get into psychedelic rock at all, and its preference is for the more bluesy and R&B-influenced recordings that those rockers made in the 1960s. Usually sounding like it could have been recorded around 1964-66 instead of in 1979, First Offense is an unapologetic throwback to the British Invasion rock of the early Rolling Stones (we're talking Brian Jones-era Stones!), the Kinks and the Who. New wavers and punks might have appreciated the rawness of First Offense, the Inmates' debut album of 1979, but this LP is neither punk nor new wave. But while those artists were combining something old with something new, the Inmates were retro all the way. In 1979, various punk and new wave bands were engaging in 1960s worship - everyone from the Ramones to Blondie to the B-52s was putting their own spin on 1960s music, whether it was British Invasion rock, surf rock or the girl-group sound.
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